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Turn blurry JPGs, pixelated PNGs, screenshots, and hand-drawn sketches into clean, scalable vector art. Every logo is redrawn by hand, not auto-traced, and delivered ready for screen printing, vinyl cutting, laser engraving, DTF transfers, embroidery, and large signs. Standard files in 12–24 hours.
100%
Hand-drawn paths
Any size
No quality loss
2–4 hr
Rush option
Pantone®
Spot color matching
A raster image is made of pixels, so it turns blurry and jagged when you enlarge it. A vector file is made of lines and curves, so it stays sharp at any size.
Low-resolution JPGs and PNGs blur when they are scaled up. Soft, fuzzy edges ruin screen printing screens and cause vinyl cutters to tear the material.
Hand-drawn curves with smooth edges and as few anchor points as possible. Your logo prints sharp whether it is 1 inch wide or 50 feet wide.
Each spot color sits on its own layer, with trapping and solid black film positives ready for press setup when you need them.
We don't just trace shapes. We prepare print-ready artwork for the machine your shop actually uses, from screen separations to laser cut lines.
Clean, solid black film positives for exposing screen printing mesh.
Separate cut paths for vinyl plotters, flatbed cutters, and laser machines.
Standard color matching that removes guesswork for your printer.
No pixelation on banners, trade show displays, vehicle wraps, and building signs.
Each production method needs a different kind of vector file. We set up every file for the equipment you will use.
Each ink color is separated onto its own layer with choke and spread trapping, registration marks, and solid black fills ready for screen exposure.
Closed, continuous paths with no hidden overlapping lines, so Roland, Graphtec, Mimaki, Cricut, and Silhouette cutters make clean cuts without tearing heat-transfer vinyl.
Engraving fills and cutting lines are kept on separate, color-coded layers. Ready for wood, acrylic, leather patch blanks, metal marking, and CO2 or fiber lasers.
Crisp edges, true transparent backgrounds, and no white halos around your design. Exported at 300+ DPI with rich blacks and bright color.
A vector logo can grow from a 2-inch business card to a 50-foot billboard or a full vehicle wrap with no pixelation and a small file size.
Before a design can be digitized, complex artwork has to be simplified into clean shapes. We remove tiny specks, merge overlapping fills, and clean up outlines for direct import into Wilcom and Tajima Pulse.
Why print shops and screen printers trust Power Digitizing with artwork that has to print right the first time.
We never use auto-trace or Image Trace filters, which create lumpy curves and thousands of extra points. Our illustrators redraw every line by hand with professional pen tools.
If your artwork has blurry text, we find the matching font from our type library or redraw the lettering by hand so it stays sharp.
We assign official Pantone (PMS Solid Coated) colors to each part of your artwork, so your printer, vinyl supplier, or sign maker hits the same brand color every time.
Too many anchor points make plotters stutter and files heavy. We smooth curves and remove extra points so the file cuts and prints cleanly.
Every order includes the production files designers, printers, and machine operators need.
Organized layers, grouped paths, editable text when requested, and color swatches. Saved for CS6 and newer.
Works with older RIP software, Roland VersaWorks, film output, and most CAD programs.
Light, web-friendly files for websites, Cricut Design Space, Silhouette Studio, and laser cutters.
High-resolution vector PDF with embedded fonts and CMYK or Pantone color.
A large transparent PNG for client approval, social media, online stores, and mockups.
Available for shops that work in CorelDRAW, with objects and spot colors kept intact.
What you need to know before sending artwork for print or production.
Raster to vector conversion means redrawing a pixel image, such as a JPG or PNG, as lines and curves. The result is a vector file (AI, EPS, SVG, or PDF) that stays sharp at any size and works for screen printing, vinyl cutting, engraving, and signs.
Auto-trace tools create thousands of extra points, round off sharp corners, and leave color specks that ruin print jobs and make vinyl cutters tear material. We redraw every vector by hand for clean, accurate results.
Yes. We regularly redraw phone photos of old patches, napkin sketches, blurry screenshots, and tiny 72 DPI JPGs. Our illustrators rebuild the artwork the way it was meant to look.
Yes. When requested, we deliver separated vector files with one layer per spot color, choke and spread trapping, registration marks, and solid black film output ready for burning screens.
Standard vector conversions are finished within 12–24 hours. For tight print deadlines, a 2–4 hour rush service is available.
Add your PMS codes (for example Pantone 186 C or Pantone Reflex Blue) to your quote request. If you don't know them, our team will match the closest official Pantone Solid Coated color.
Every order includes AI, EPS, SVG, PDF, and a transparent PNG. CorelDRAW (CDR) files are available on request.
Yes. Minor revisions are free until you and your printer are happy with the vector file.
Send your JPG, PNG, PDF, screenshot, or sketch. We'll redraw it by hand and deliver print-ready AI, EPS, SVG, and PDF files, usually within 12–24 hours.